INTRODUCTION: THE FIVE KEY TERMS OF DRAMATISM

WHAT is involved, when we say what people are doing and why they are doing it? An answer to that question is the subject of this book. The book is concerned with the basic forms of thought which, in accordance with the nature of the world as all men necessarily experience it, are exemplified in the attributing of motives. These forms of thought can be embodied profoundly or trivially, truthfully or falsely. They are equally present in systematically elaborated metaphysical structures, in legal judgments, in poetry and fiction, in political and scientific works, in news and in bits of gossip offered at random.

We shall use five terms as generating principle of our investigation. They are: Act, Scene, Agent, Agency, Purpose. In a rounded statement about motives, you must have some word that names the act (names what took place, in thought or deed), and another that names the scene (the background of the act, the situation in which it occurred); also, you must indicate what person or kind of person (agent) performed the act, what means or instruments he used (agency), and the purpose. Men may violently disagree about the purposes behind a given act, or about the character of the person who did it, or how he did it, or in what kind of situation he acted; or they may even insist upon totally different words to name the act itself. But be that as it may, any complete statement about motives will offer some kind of answers to these five questions: what was done (act), when or where it was done (scene), who did it (agent), how he did it (agency), and why (purpose).

If you ask why, with a whole world of terms to choose from, we select these rather than some others as basic, our book itself is offered as the answer. For, to explain our position, we shall show how it can be applied.

Act, Scene, Agent, Agency, Purpose. Although, over the centuries, men have shown great enterprise and inventiveness in pondering matters of human motivation, one can simplify the subject by this pentad of key terms, which are understandable almost at a glance. They need

-xv-

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A Grammar of Motives
Table of contents

Table of contents

  • Title Page iii
  • Acknowledgments vii
  • Contents ix
  • Introduction: the Five Key Terms of Dramatism xv
  • Part One - Ways of Placement 1
  • I - Container and Thing Contained 3
  • II - Antinomies of Definition 21
  • III - Scope and Reduction 59
  • Part Two - The Philosophic Schools 125
  • I Scene 127
  • II - Agent in General 171
  • III - Act 227
  • IV - Agency and Purpose 275
  • Part Three - On Dialectic 321
  • I - He Dialectic of Constitutions 323
  • II - Dialectic in General 402
  • Appendix 445
  • Index 519
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