Index
by L. LippardPage numbers marked with an asterisk refer to illustrations
Accetti, Avv. Carlo E., 7
Accetti, Avv. Paride, collection ( Milan), see Sant'Elia, The New City, and study for; The Power Plant
Allard, Roger, 43, 119 n. 24
Altomare, Libero, 10; "Swimming in the Tiber, " 25
Amsterdam, 54, 133
-, Audretsch Gallery, 122
Apollinaire, Guillaume, 46, 48, 54, 120
n. 27, n. 32, n. 47, 122, 134
-, writings: Anecdotiques,120 n. 25, 122; Méditations Esthétiques,120 n. 27; see also Manifestoes, "Futurist Anti-Tradition"
Archipenko, Alexander, 134
Architecture, 105-109
Archivi del Futurismo, 119 n. 4, n. 5, n. 6, n. 7, n. 8, n. 12, n. 19, 120 n. 35, n. 36, n. 38, n. 41, n. 47, 121, 145, 147
Art Nouveau, 17, 22, 25, 30
Arte Antica e Moderna,119 n. 24
Arti Visive,120 n. 30
Ayers, Margaret Hubbard, 54
Baer, Vico, letters to, 133-134; estate of, see Boccioni, study for The City Rises Balla, Giacomo, 10, 14, 19-20, 22, 25, 32, 59-65, 79, 105, 112, 113, 114, 120 n. 29, n. 30, n. 48, n. 49, 121, 122, *123, 123, 127, 129, 142, 146, 147; biography, 141
-, paintings and drawings: Abstract Speed-Wake of Speeding Automobile, *64, 141; Automobile+ Speed+ Lights, 141; Bankrupt, *19, 19-20, 141; Crowd and Landscape, 142; Dynamism of a Dog on Leash, 10, *58, 59; The Flag on the Altar of Its Country, 112, *116; Flight of Swifts, 14, *63, 141; studies for, 61; Girl Running on a Balcony, *60, 61, 141; The Injection of Futurism, *16, 142; Iridescent Interpenetration, 61, *62, 141; Iridescent Interpenetration, No. 8, 141; Mercury Passing Before the Sun as Seen Through a Telescope, 64, *65, 141; Rhythm of the Violinist, *59, 59, 61, 141; Speed of an Automobile +Lights, *64, 141; Speeding Automobile, 141; Spring, 142; The Stairway of Farewells, *15, 141; Street Light-Study of Light, 25, *26, 59, 141; Swifts: Paths of Movement+ Dynamic Sequences, *63, 141; Vortex, 141; Work ( 1902), *18, 19-20, 141
-, sculpture: Boccioni's Fist-Lines of Force, 113, *117, 142
-, writings: see Manifestoes, "Anti-neutral Clothes"; "The Futurist Reconstruction of the Universe" Barbantini, Nino, 119 n. 20, 120 n. 40, 142
Barr, Margaret Scolari, 133
Basel, Kunstmuseum, see Russolo, Interpenetration of Houses +Light+Sky La Belgique artistique et littéraire, 119
n. 9
Bergamini, Dr. Giuseppe, collection (Milan), see Carré, What the Streetcar Said to Me; Soffici, Interpenetration of Plastic Planes Bergson, Henri, 12, 119 n. 6
Berlin, 122, 129, 133, 134, 144
-, Erster Deutscher Herbstsalon (Der Sturm Gallery), 120 n. 39, 122
-, Der Sturm Gallery, 54
-, Tiergartenstrasse Gallery, 122
Bernheim-Jeune Gallery, see Paris, Bernheim-Jeune Gallery Bertarelli, A., collection, see Milan, Civica Raccolta della Stampe A. Bertarelli Der Blaue Reiter, 10
La Biennale di Venezia, 120 n. 27
Boccioni, Umberto, 10, 12, 13, 14, 20, 22, 25, 32, 35, 41, 43, 45, 46, 48, 50, 52, 61, 79, 84-101, 102, 109, 112, 113, 114, 118, 119 n. 6, n. 13, n. 17-22, n. 24, n. 25, 120 n. 27, n. 42, n. 43, n. 45, *121, 121, 122, 123, 127, 128, 129-134, 141, 144, 145, 146, 147; biography 142
paintings and drawings: "Allegoria del Natale" (illustrations), 22, 119 n. 13; At the Front, 148; Baruffa, 119 n. 18; Cavalry Charge, 112, *114, 144; The City Rises, 22, 35, *37, 43, 45, 52, 98, 119 n. 17, 142; studies for, *35, *36, 45, 142; Couple at a Table, 84, *86, 120 n. 39; Cyclist, see Dynamism of a Cyclist; Donna al Caffá-Compenetrazione di Luci e Piani, see Figura di Donna a Tavola; The Drinker, *118, 118, 144; study for, 144; Dynamism of a Cyclist, *96, 96- 98, 144; studies for, *97, 98, 143; Dynamism of alluman Body, 98, *99, 144; Dynamism of a Soccer Player, 87, *89, 96, 143; Elasticity, 84, *88, 96, 143; study for, 143; The Farewells, see States of Mind: The Farewells; Figura di Donna a Tavola, 120 n. 39; Fusion of a Head and a Window, 84, *86; Head of a Woman, *100, 144; Horizontal Volumes, 143; Horse + Rider + Houses, 98, *101, 144; I Want to Fix the Human Form in Movement (series), 98; I Want to Synthesize the Unique Forms of Continuity in Space, *98, 144; The Laugh, 39, *40, 41, 48, 119 n. 22, 143; composition sketch for, *41; caricature of, *10, 119 n. 22; Lutto, see Mourning; La Maestra di Scena, 22; Materia, 84, *85, 93, 143; Mob Gathered Around a Monument, *22; Modern Idol, 142; Mourning, *39, 39, 41, 48, 142; sketches for, *38; study for, *38, 142; composition sketch for, *38; Muscular Dynamism, 87, *94, 143; The Noise of the Street Penetrates the House, *43, 45, 128; Plastic Dynamism, Horse and House, 144; Plastic Dynamism: Horse + Houses, *100, 144; Plastic Dynamism: Horse + Rider + Houses, *100, *101, 144; Portrait of Busoni, 118, 123; Portrait of the Sculptor, Brocchi, 22, *24, 142; The Raid, 32, 35, 142; studies for, *34; La Retata, 119 n. 17; The Riot, *34, 142, 143; Riot in the Galleria, 32, *33, 142; "Scomposizione" of the Head of a Man, 144; "Scomposizione" of the Head of a Woman, 98, *100, 144; Self Portrait ( 1907), 142; Self Portrait

-149-

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Futurism
Table of contents

Table of contents

  • Title Page 3
  • Contents 5
  • Lenders to the Exhibition 6
  • Foreword 7
  • The Futurist Goal 9
  • The Futurist Achievement 17
  • Notes to the Text 119
  • Chronology 121
  • Appendix A - Four Futurist Manifestoes 124
  • Appendix B - Boccioni Letters to Vico Baer 133
  • Selected 'Bibliography of Futurism: 1905-1961 135
  • Biographies and Catalogue of the Exhibition 141
  • Index 149
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