The Work of Living Art: A Theory of the Theatre

By Adolphe Appia; Barnard Hewitt et al. | Go to book overview

1. THE ELEMENTS

THE VERY LANGUAGE we use can often help us to clarify our own mental attitudes, and can provide us with the key to certain problems. Ordinarily, we express ourselves loosely, paying little attention to our language patterns as such. As a result, our thinking lacks the precision which full linguistic awareness could help to supply. Here is an example relevant to the present study.

Under the term "Art" we group various manifestations of our life; but if we are required to distinguish sharply between them, we let language come to our aid. Thus, we have the fine arts: painting, sculpture, and architecture; but we rarely say "the art of painting," "the art of sculpture," or "the art of architecture," unless we are being purposely analytical. For everyday usage, the name of the art itself is enough. We speak also of "poetry," though we usually fail to place it among the fine arts--a judgment that is only proper, since the beauty of words and of their arrangement acts only indirectly on our senses. Then, too, we use the term "poetics," which more specifically implies the technique of poetry, without requiring us to place either this technique or its aesthetic results under the heading of fine arts. These distinctions are clear; we need only be conscious of them whenever we use the terms.

But there is one art form which cannot be classed either among the fine arts or under poetry (or literature)-but which, nonetheless, should rank as an art in every sense of the word. I refer, of course, to dramatic art. Here, again, language attempts to orient us. The word "dramaturgy," which we use rarely and with a bit of distaste, is to dramatic art what poetics is to poetry.

-3-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
The Work of Living Art: A Theory of the Theatre
Table of contents

Table of contents

  • Books of the Theatre Series iii
  • Title Page v
  • Contents vii
  • Foreword ix
  • Adolphe Appia and "The Work of Living Art" xi
  • Preface 1
  • 1. the Elements 3
  • 2. Living Time 19
  • 3. Living Space 25
  • 4. Living Color 31
  • 5. Organic Unity 38
  • 6. Collaboration 59
  • 7. the Great Unknown and the Experience of Beauty 68
  • 8. Bearers of the Flame 79
  • Designs 83
  • Adolphe Appia's "Man is the Measure of All Things" (protagoras) 123
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 134

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.