The Religious Sonnets of Dylan Thomas: A Study in Imagery and Meaning

By H. H. Kleinman | Go to book overview

7
Sonnet VII

Our Father who art in heaven. . .
Matthew 6:9
Always pray to a tree, said the gardener,
thinking of Calvary and Eden.
Dylan Thomas, "The Tree"

AFTER THE COSMIC ERUPTION and Adam's noisy lechery in the medusa-crowded sea, after the mutilation of eye and tongue, after the blood gauze and deadweed, there is a very brief calm in the turbulence of the poem. The calm is perfectly timed, for it comes between the primal birth in the sixth sonnet and the Crucifixion in the eighth.

Here, as in all the sonnets of this sequence, the sestet precedes the octave, but with this difference: the event in the eight lines below produces the effect in the six lines above. The sestet is composed mainly of vegetation imagery: rice grain, leaves, woods, trees, root; the element is the earth. In the octave the element in the first four lines is water, where the shapeless thing born and mutilated in the sixth sonnet, now described as a sponge, is suckled at the musical teats of the bagpipebreasted ladies. The fifth line contains a transition from the scene of primordial maternal figures to the Nativity scene in Bethlehem. The fourth repetition of "time"

-85-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
The Religious Sonnets of Dylan Thomas: A Study in Imagery and Meaning
Table of contents

Table of contents

  • Title Page iii
  • Preface vii
  • Acknowledgments xi
  • Contents *
  • Introduction 1
  • 1 - Sonnet I 12
  • 2 - Sonnet II 23
  • 3 - Sonnet III 32
  • 4 - Sonnet IV 44
  • 5 - Sonnet V 54
  • 6 - Sonnet VI 74
  • 7 - Sonnet VII 85
  • 8 - Sonnet VIII 94
  • 9 - Sonnet IX 102
  • 10 - Sonnet X 119
  • Notes 131
  • Bibliography 147
  • Index 149
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 153

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.