Preface to Drama: An Introduction to Dramatic Literature and Theater Art

Go to book overview

Doth like a poisonous mineral gnaw my inwards.
And nothing can nor shall content my soul
Till I am evened with him, wife for wife,
Or failing so, yet that I put the Moor
At least into a jealousy so strong
That judgment cannot cure. Which thing to do,
If this poor trash of Venice, whom I thrash
For his quick hunting, stand the putting-on,
I'll have our Michael Cassioon the hip,
Abuse him to the Moor in the rank garb--
For I fear Cassio with my night-cap too--
Make the Moor thank me, love me, and reward me
For making him egregiously an ass
And practising upon his peace and quiet
Even to madness. 'Tis here, but yet confused.
Knavery's plain face is never seen till used.
[Exit.]

reason

inciting
in my power
coarse fashion
,
as his wife's lover

notably
plotting against

corrosive poison


SCENE II. A Street.

[Enter OTHELLO'S HERALD, with a proclamation,
PEOPLE following.]

HERALD. It is Othello's pleasure, our noble and valiant
general, that, upon certain tidings now arrived, importing
the mere perdition of the Turkish fleet, every man put
himself into triumph--some to dance, some to make bon
fires, each man to what sport and revels his addiction
leads him. For, besides these beneficial news, it is the
celebration of his nuptial. So much was his pleasure
should be proclaimed. All offices are open, and there is
full liberty of feasting from this present hour of five till
the bell have tolled eleven. Heaven bless the isle of
Cyprus and our noble general Othello!
[Exeunt.]

with free drinks

utter loss
celebrate
inclination


SCENE III. A hall in the Citadel.

[Enter OTHELLO, DESDEMONA, CASSIO, and ATTENDANTS.]

OTHELLO. Good Michael, look you to the guard to-
night.
Let's teach ourselves that honorable stop,
Not to outsport discretion.

CASSIO. Iago hath direction what to do,

-251-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Preface to Drama: An Introduction to Dramatic Literature and Theater Art
Table of contents

Table of contents

  • Preface to Drama: - An Introduction to Dramatic Literature and Theater Art i
  • Title Page i
  • Foreword iii
  • Contents v
  • Part One - The Preface 1
  • I - Preliminary 3
  • II - The Playscript 25
  • Scene I 44
  • Scene II 52
  • III - The Stageplay 64
  • IV - The Play 93
  • V - The Drama 124
  • H.M.S. Pinafore or the Lass That Loved a Sailor 145
  • Part Two - The Plays 181
  • I - Antigone 185
  • Scene I 192
  • Scene II 197
  • Scene IV 202
  • Scene V 206
  • II - Othello 221
  • Act One 224
  • Scene III - The Council Chamber. 229
  • Act Two 232
  • Scene II - A Street. 242
  • Act Three 251
  • Scene II - A Room in the Citadel. 261
  • Scene IV - Before the Citadel. 263
  • Act Four 276
  • Scene II - A Room in the Citadel. 282
  • Scene III - State Bedroom in the Citadel. 290
  • Act Five 297
  • III - The Ridiculous PræCieuses 320
  • Scene I - La Grange, Du Croisy 323
  • Scene IV - Madelon, Cathos, Gorgibus. 324
  • Scene V - Cathos, Madelon. 325
  • Scene VII - Mascarille, Two Chairmen. 327
  • Scene VIII - Marotte, Mascarillie. 328
  • Scene X - Cathos, Madelon, Mascarille, Marotte. 330
  • Scene XI - Cathos, Madelon, Jodelet, Mascarille, Marotte, Almanzor. 334
  • Scene XII - Lucile, CéLimène, Cathos, Madelon, Mascarille, Jodelet, Marotte, Almanzor, and Fiddlers. 335
  • Scene XIII - Du Croisy, la Grange, Cathos, Madelon, Lucile, CéLimène, Jodelet, Mascarille, Marotte, and Fiddlers. 337
  • Scene XVI - Madelon, Cathos, Jodelet, Mascarille, and Fiddlers. 338
  • Scene. XVIII - Gorgibus, Madelon, Cathos, and Fiddlers. 339
  • IV - Hedda Gabler 344
  • Act Two 347
  • Act Three 370
  • Act Four 390
  • V - Candida 420
  • Act I 423
  • Act II 445
  • VI: Life with Father - A Period Comedy by Lindsay and Crouse 482
  • Act One 485
  • Scene II 503
  • Scene II 517
  • Act Three 548
  • VII - The Glass Menagerie 569
  • Scene 1 572
  • Scene 2 578
  • Scene 3 583
  • Scene 5 587
  • Scene 6 594
  • Scene 7 601
  • VIII - The Crucible 636
  • Act One - (An Overture) 639
  • Act Two 663
  • Act Four 683
  • Appendix 731
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 776

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.