Hard Times for These Times; Pictures from Italy; Mrs. Lirriper's Lodgings; Mrs. Lirriper's Legacy

By Charles Dickens | Go to book overview

as they moved, that she could link such faint and broken sounds into any chain of connexion.

'You learnt a great deal, Louisa, and so did your brother. Ologies of all kinds from morning to night. If there is any Ology left, of any description, that has not been worn to rags in this house, all I can say is, I hope I shall never hear its name.'

'I can hear you, mother, when you have strength to go on.' This, to keep her from floating away.

'But there is something--not an Ology at all--that your father has missed, or forgotten, Louisa. I don't know what it is. I have often sat with Sissy near me, and thought about it. I shall never get its name now. But your father may. It makes me restless. I want to write to him, to find out for God's sake, what it is. Give me a pen, give me a pen.'

Even the power of restlessness was gone, except from the poor head, which could just turn from side to side.

She fancied, however, that her request had been complied with, and that the pen she could not have held was in her hand. It matters little what figures of wonderful no-meaning she began to trace upon her wrappers. The hand soon stopped in the midst of them; the light that had always been feeble and dim behind the weak transparency, went out; and even Mrs. Gradgrind, emerged from the shadow in which man walketh and disquieteth himself in vain, took upon her the dread solemnity of the sages and partiarchs.


CHAPTER X
MRS. SPARSIT'S STAIRCASE

MRS. SPARSIT'S nerves being slow to recover their tone, the worthy woman made a stay of some weeks in duration at Mr. Bounderby's retreat, where, notwithstanding her anchorite turn of mind based upon her becoming conscious of her altered station, she resigned herself with noble fortitude to lodging, as one may say, in clover, and feeding on the fat of the land. During the whole term of this recess from the guardianship of the Bank, Mrs. Sparsit was a pattern of consistency; continuing to take such pity on Mr. Bounderby to his face, as is rarely taken on man, and

-178-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Hard Times for These Times; Pictures from Italy; Mrs. Lirriper's Lodgings; Mrs. Lirriper's Legacy
Table of contents

Table of contents

  • Title Page iii
  • Contents v
  • Hard Times - Book the First Sowing 1
  • Chapter IV - Mr. Bounderby 7
  • Chapter V - The Key-Note 19
  • Chapter VII - Mrs. Sparsit 37
  • Chapter XI - No Way Out 56
  • Chapter XII - The Old Woman 61
  • Chapter XIII - Rachael 73
  • Chapter XV - Father and Daughter 80
  • Chapter XVI - Husband and Wife 85
  • Book the Second - Reaping 98
  • Chapter IV - Men and Brothers 123
  • Chapter VI - Fading Away 130
  • Chapter VII - Gunpowder 136
  • Chapter VIII - Explosion 147
  • Chapter IX Hearing the Last of It 159
  • Chapter X - Mrs. Sparsit's Staircase 171
  • Chapter XI - Lower and Lower 178
  • Chapter XII - Down 191
  • Book the Third - Garnering 196
  • Chapter II - Very Ridiculous 202
  • Chapter III - Very Decided 211
  • Chapter IV - Lost 219
  • Chapter VI - The Starlight 227
  • Chapter VII - Whelp-Hunting 245
  • Chapter IX - Final 255
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 266

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Sign up now to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    For full access in an ad-free environment, sign up now for a FREE, 1-day trial.

    Already a member? Log in now.