A Reader's Guide to Fifty Modern European Poets

By John Pilling | Go to book overview

Charles Baudelaire (1821-67)

Born in Paris, the son of a retired senator and a soon-to-be­ widowed mother. Sent to boarding-school in Lyons after his mother's remarriage to a colonel in the army with whom he later quarrelled. An avid reader of the Romantic poets during his adolescence; a brilliant but unruly pupil at the celebrated Lycée Louis-le-Grand. Enrolled as a law student in 1839 but preferred the Bohemian life of the Latin Quarter. Sailed to Mauritius and Réunion in 1841 under duress from his stepfather, and later claimed to have reached as far as India. Financially independent at his majority, he became a fashionable figure in the Quarter on his return to Paris, where he cultivated the 'dandy' image afterwards inseparably associated with him. In the early 1840s began to compose the poems later collected in Les Fleurs du Mal and to live with the 'black Venus' Jeanne Duval, a liaison which was to last intermittently almost until his death. In 1844 his financial affairs were taken out of his hands by his mother and stepfather. Made a profound impact with his art criticism in the later 1840s and supported the radical cause in the Revolution of 1848. Began to experiment with hashish and to think of himself as the literary descendant of Edgar Allan Poe, whom he translated. Deeply influenced by the mystical writings of Swedenborg, which prompted him to develop an aesthetic based on 'correspondences' in the years 1852-4, the period of his friendship with Madame Sabatier. Published his one collection of poems, Les Fleurs du Mal, in 1857 and was immediately accused of blasphemy and obscenity; fined three hundred francs on being found guilty of the latter. In poor health from 1860 onwards, with complaints of syphilitic

-13-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
A Reader's Guide to Fifty Modern European Poets
Table of contents

Table of contents

  • Title Page 3
  • Contents 7
  • Preface 9
  • Charles Baudelaire (1821-67) 13
  • Stéphane Mallarmé (1842-98) 23
  • Paul Verlaine (1844-96) 32
  • Tristan Corbière (1845-75) 40
  • Arthur Rimbaud (1854-91) 47
  • Constantine Cavafy (1863-1933) 56
  • Stefan George (1868-1933) 64
  • Christian Morgenstern (1871-1914) 73
  • Paul Valéry (1871-1945) 80
  • Hugo Von Hofmannsthal (1874-1929) 88
  • Rainer Maria Rilke (1875-1926) 97
  • Antonio Machado (1875-1939) 108
  • Guillaume Apollinaire (1880-1918) 118
  • Aleksandr Blok (1880-1921) 127
  • Juan Ramón Jiménez (1881-1958) 136
  • Umberto Saba (1883-1957) 143
  • Dino Campana (1885-1932) 150
  • Gottfried Benn (1886-1956) 158
  • Georg Trakl (1887-1914) 166
  • Fernando Pessoa (1888-1935) 173
  • Giuseppe Ungaretti (1888-1970) 181
  • Pierre Reverdy (1889-1960) 190
  • Anna Akhmatova (1889-1966) 197
  • Boris Pasternak (1890-1960) 206
  • Osip Mandelstam (1891-1938 215
  • César Vallejo (1892-1938) 225
  • Marina Tsvetaeva (1892-1941) 234
  • Vladimir Mayakovsky (1893-1930) 243
  • Paul Éluard (1895-1952) 259
  • Eugenio Montale (1896-1981) 266
  • Federico Garcia Lorca (1898-1936) 276
  • Bertolt Brecht (1898-1956) 284
  • Jorge Luis Borges (born 1899) 292
  • George Seferis (1900-71 ) 301
  • Salvatore Quasimodo (1901-68) 308
  • Lucio Piccolo (1901-69) 316
  • Attila József (1902-37) 324
  • Pablo Neruda (1904-73) 333
  • René Char (born 1907) 344
  • Cesare Pavese (1908-50) 351
  • Yannis Ritsos (born 1909) 360
  • Octavio Paz (born 1914) 368
  • Johannes Bobrowski (1917-65) 376
  • Paul Celan (1920-70) 383
  • Vasko Popa (born 1922) 392
  • Yves Bonnefoy (born 1923) 400
  • Yehuda Amichai (born 1924) 408
  • Zbigniew Herbert (born 1924) 416
  • Joseph Brodsky (born 1940) 424
  • Bibliographies 432
  • Index 461
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 479

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.