A Reader's Guide to Fifty Modern European Poets

By John Pilling | Go to book overview

Stefan George (1868-1933)

Born near Bingen in the Rhineland, where he spent his childhood. Completed a classical education at Darmstadt in 1888. Subsequently devoted himself to the study of Romance languages in French Switzerland and in Paris, and pursued similar studies at the University of Berlin. Frequently in Paris, where he was a member of the Symbolist circle gathered around Mallarmé Travelled very extensively, to London, Belgium, Copenhagen, Vienna, Central Spain and Italy. Left Germany after 1914 only for vacations in the Swiss Alps until he went into voluntary exile in the year of his death, refusing the honours and awards offered him by the Nazi authorities. Founded the journal Blätter für die Kunst in 1892, which he conceived and often composed single-handedly for the next twenty-seven years. Throughout his life engaged in creating and recreating, after defections, a circle of ascetic aesthetes of like mind. Profoundly moved by the death of a fifteen-year-old boy in 1902, whom he called Maximin and whom he saw as a figure playing a similar role in his life to that played by Beatrice in Dante's. A writer whose reputation has declined since the beginning of the century, though clearly the most considerable native German poet between the death of Goethe and the early poems of Gottfried Benn. One of the great creative translators, notably of Shakespeare Sonnets, Baudelaire Les Fleurs du Mal and sections of Dante Divine Comedy.

One of the shrewdest assessments of the genius of Stefan George appeared shortly after the publication of George's seventh collection of poems ( The Seventh Ring, 1907), in a Budapest literary journal:

-64-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
A Reader's Guide to Fifty Modern European Poets
Table of contents

Table of contents

  • Title Page 3
  • Contents 7
  • Preface 9
  • Charles Baudelaire (1821-67) 13
  • Stéphane Mallarmé (1842-98) 23
  • Paul Verlaine (1844-96) 32
  • Tristan Corbière (1845-75) 40
  • Arthur Rimbaud (1854-91) 47
  • Constantine Cavafy (1863-1933) 56
  • Stefan George (1868-1933) 64
  • Christian Morgenstern (1871-1914) 73
  • Paul Valéry (1871-1945) 80
  • Hugo Von Hofmannsthal (1874-1929) 88
  • Rainer Maria Rilke (1875-1926) 97
  • Antonio Machado (1875-1939) 108
  • Guillaume Apollinaire (1880-1918) 118
  • Aleksandr Blok (1880-1921) 127
  • Juan Ramón Jiménez (1881-1958) 136
  • Umberto Saba (1883-1957) 143
  • Dino Campana (1885-1932) 150
  • Gottfried Benn (1886-1956) 158
  • Georg Trakl (1887-1914) 166
  • Fernando Pessoa (1888-1935) 173
  • Giuseppe Ungaretti (1888-1970) 181
  • Pierre Reverdy (1889-1960) 190
  • Anna Akhmatova (1889-1966) 197
  • Boris Pasternak (1890-1960) 206
  • Osip Mandelstam (1891-1938 215
  • César Vallejo (1892-1938) 225
  • Marina Tsvetaeva (1892-1941) 234
  • Vladimir Mayakovsky (1893-1930) 243
  • Paul Éluard (1895-1952) 259
  • Eugenio Montale (1896-1981) 266
  • Federico Garcia Lorca (1898-1936) 276
  • Bertolt Brecht (1898-1956) 284
  • Jorge Luis Borges (born 1899) 292
  • George Seferis (1900-71 ) 301
  • Salvatore Quasimodo (1901-68) 308
  • Lucio Piccolo (1901-69) 316
  • Attila József (1902-37) 324
  • Pablo Neruda (1904-73) 333
  • René Char (born 1907) 344
  • Cesare Pavese (1908-50) 351
  • Yannis Ritsos (born 1909) 360
  • Octavio Paz (born 1914) 368
  • Johannes Bobrowski (1917-65) 376
  • Paul Celan (1920-70) 383
  • Vasko Popa (born 1922) 392
  • Yves Bonnefoy (born 1923) 400
  • Yehuda Amichai (born 1924) 408
  • Zbigniew Herbert (born 1924) 416
  • Joseph Brodsky (born 1940) 424
  • Bibliographies 432
  • Index 461
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 479

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.