Gothic Cathedrals of France and Their Treasures

By Marcel Aubert | Go to book overview

Acknowledgments
PHOTOGRAPHS FOR THIS BOOK WERE TAKEN BY
S. ALINARI, Florence Plate No. 76.
ARCHIVES PHOTOGRAPHIQUES, Paris Plates Nos. 23, 26, 27, 35, 64, 65, 77, 80, 127, 128, 133, 145, 177-178, 251-252, 269 to 271, 277, 288, 310 to 312, 320, 321, 327 to 329, 379 to 381, 419, 438, 440.
M. B. ARTHAUD, Paris Plates Nos. 48, 49, 53, 110, 257, 378.
M. MIKAËL AUDRAIN, Nantes Plates Nos. 1, 2, 9, 11, 15, 20, 21, 25, 28, 30, 33, 38, 41,43, 44, 57, 58, 67, 68, 74, 75, 84 to 91, 93 to 97, 99, 100, 147 to 149, 150, 151, 213, 214 217 to 220, 222, 300 to 304, 313 to 316, 318, 319, 322 to 326, 331 to 343, 382 to 395, 402 to 411, 454 to 457, 459, 460.
M. BERTAULT-FOUSSEMAGNE, Paris Plates Nos. 4, 134, 185, 250, 345 to 347, 349, 415, 437, 439.
M. SERGE BOIRON, Paris Exclusivité Mazda Plate No. 104.
M. BORREMANS, Paris Plates Nos. 10, 98, 116, 211, 228, 317, 348.
M. BRETOCQ, Rosay (Eure) Plates Nos. 31, 190, 192.
M. COUVRAT, Poitiers Plate No. 458.
M. JEAN CROMMELYNCK, Herblay (Seine-et-Oise) Plates Nos. 66, 81, 165, 166, 168, 172, 221, 223, 449, 450.
M. DORTES, Le Perreux-sur-Marne Plates Nos. 19, 205, 208, 209, 215, 280, 344.
EDITIONS DE LA CIGOGNE, Rheims Plate No. 210.
M. FRANCESCHI, Aulnay-sous-Bois Plates Nos. 54, 260, 276.
M. FÉLIX GERMAIN, Grenoble Plate No. 374.
M. Fr. HÉBERT-STEVENS, Paris Plates Nos. 71, 107, 109, 111, 113, 114.
M. HENRARD, Paris Plates Nos. 230, 244, 281, 411, 448.
M. LUCIEN HERVÉ, Paris Plates Nos. 226 and 227.
M. HOUVET, Chartres Plates Nos. 22, 46, 47, 51, 52, 59, 60, 69.
M. HURAULT, Saint-Germain-en-Laye Plates Nos. 14, 17, 34, 36, 175, 191, 246, 247, 248, 268, 272.
Mme JANET-LECAISNE, Paris Plates Nos. 55, 56.
M. JAUZAC, Perpignan Plates Nos. 441, 444.
M. LORGNIER, Amiens Plates Nos. 61, 62, 63, 72, 73, 78, 79, 201, 204, 206, 207, 212.
M. MAS, Paris Plates Nos. 7, 24, 173, 174, 395 to 400, 451 to 453.
M. RENÉ-JACQUES, Paris Plates Nos. 224, 225.
M. RIFAUX, Grenoble Plates Nos. 256, 436.
M. SIRE DE VILAR, Ille-sur-Têt (Pyrénées-Orientales) Plate No. 447.
M. SOUGEZ, Paris Frontispiece and Plates Nos. 8. 70, 101 to 103, 115, 198.
STUDIO NOËL, Noyon Exclusivité Mazda Plate No, 92.

-15-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
Gothic Cathedrals of France and Their Treasures
Table of contents

Table of contents

  • Title Page 2
  • Table of Contents 7
  • Illustrations List 9
  • Acknowledgments 15
  • Preface 17
  • Chapter One - General Introduction 19
  • Chapter Two - the First Gothic Cathedrals 38
  • Chapter Three - the Flowering of Gothic Art 60
  • Chapter Four - the Expansion of the Art of the Great Cathedrals 78
  • Chapter Five - Regional Types 92
  • Conclusion 109
  • Notes on the Illustrations 110
  • Glossary 166
  • Short Bibliography 168
  • Index 169
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 174

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.