Auschwitz: True Tales from a Grotesque Land

By Sara Nomberg-Przytyk; Eli Pefferkorn et al. | Go to book overview

A LIVING TORCH

Every day of that macabre last summer of Hitler's reign twenty thousand people were killed in Auschwitz. The crematoria were unable to burn all of the dead who were being gassed in Auschwitz. Large ravines were excavated next to the crematoria. The dead bodies were thrown into them, and then they were doused with benzine and set aflame. The flames leaped upwards, and the sky was turned red by the gigantic fire. At night the entire scene looked grotesque. We would go out to the front of the block and stare at the reddened sky. We were not so much mesmerized by the flames as by the sea of human blood. Burning human flesh gives off a sweet, choking odor that makes you feel faint. That summer we were saturated with that indescribable choking odor. All summer we groped our way around in the smoke that belched from the chimneys of the crematoria above and from the burning bodies in the ravines below. That July and August the weather was very hot and stuffy. It was a terrible summer. Looking back, now, it is difficult for me to say how we were able to live through those times, conscious of human life oozing out of existence everywhere. How is it that we did not all go crazy? How is it that we were able to vegetate, keeping our composure in this unbearable world? The time arrived when a scream tore itself involuntarily out of one's throat.

We were standing, as was our wont, in front of the block, watching the sky turn to a deeper red. All around us was quiet that night, because there was no transport. Apparently there was a large backlog of corpses that had to be burned before the new raw material essential to the functioning of the death factory could be brought in. Suddenly, the stillness was broken by the screaming of children, as if a single scream had been torn out of hundreds of mouths, a single scream of fear and unusual pain, a scream repeated a thousand times in the single word, "Mama" a scream that increased in intensity every second, enveloping the whole camp and every inmate.

Our lips parted without our being conscious of what we were

-81-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Auschwitz: True Tales from a Grotesque Land
Table of contents

Table of contents

  • Title Page iii
  • Contents vii
  • Translator's Foreword ix
  • Alienation 3
  • Exchange 8
  • New Arrivals 13
  • Without Pity 17
  • Death of the Zugang 22
  • Salvation 27
  • The Roar of the Beast 31
  • The Infirmary 36
  • What Kind of a Person Was Orli Reichert? 41
  • The Fight for Masha's Life 43
  • A Plate of Soup 45
  • Erika's Red Triangle 48
  • A Peculiar Roll Call 51
  • The Block of Death 53
  • Morituri Te Salutant 58
  • Marie and Odette 63
  • Esther's First Born 67
  • Old Words -- New Meanings 72
  • Children 79
  • A Living Torch 81
  • The Little Gypsy 83
  • Taut as a String 85
  • The Extermination of the Midgets 89
  • Natasha's Triumph 94
  • The Price of Life 98
  • The Lovers of Auschwitz 100
  • The Dance of the Rabbis 105
  • Revenge of a Dancer 107
  • The Verdict 110
  • Friendly Meetings 114
  • Old Women 118
  • Ilya Ehrenburg Addresses Us 121
  • The New Year's Celebration 123
  • The Bewitched Sleigh 127
  • The Camp Blanket 132
  • In Pursuit of Life 137
  • The Plagues of Egypt 142
  • Without the Escorts 146
  • The First Days of Freedom 151
  • The Road Back 155
  • Editors' Afterword 163
  • Glossary 183
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 185

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.