The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China

By Ban Wang | Go to book overview

Bibliography

Adorno, Theodor; Walter Benjamin; Ernst Bloch; Bertolt Brecht; and George Lukacs . Aesthetics and Politics. London: Verso, 1977.

Ai Siqi

Ai Siqi wenji (Collected essays), vol. 2. Beijing: Renmin chubanshe, 1983.

Anderson, Marston. The Limits of Realism. Berkeley: University of California Press, 1990.

Arato, Andrew, and Eike Gebhardt, eds. The Essential Frankfurt School Reader. New York: Urizen Books, 1978.

Arendt, Hannah. The Origins of Totalitarianism. New York: Harcourt, 1973.

Aristotle, Horace, and Longinus, Classical Literary Criticism. Trans. T. S. Dorsch . New York: Penguin, 1965.

Ba Jin

Wu ti ji (Untitled collection). Beijing: Renmin wenxue chubanshe, 1986.

Bakhtin, Mikhail. Rabelais and His World. Trans. Hélène Iswolsky. Bloomington: Indiana University Press, 1984.

Barlow, Tani, ed. Gender Politics in Modern China. Durham, N.C.: Duke University Press, 1993.

Beauvoir, Simone de. The Second Sex. Trans. and ed. H. M. Parshley. New York: Vintage, 1952.

Beer, Gillian. "Ghosts". Essays in Criticism 28 ( 1978): 260-64.

Bell, Catherine. Ritual Theory, Ritual Practice. New York: Oxford University Press, 1992.

Benjamin, Walter. "Illuminations". Ed. and intro. Hannah Arendt. Trans. Harry Zohn . New York: Schocken, 1968. -----. The Origin of German Tragic Drama. Trans. John Osborne. London: Verso, 1977.

-293-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Upgrade your membership to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Note: primary sources have slightly different requirements for citation. Please see these guidelines for more information.

Cited page

Bookmark this page
The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China
Table of contents

Table of contents

  • Title Page iii
  • Acknowledgments vii
  • Contents *
  • Introduction 1
  • 1 - Sublimation Unto Death: the Aesthetic Search for Meaning in Cultural Crisis 17
  • 2 - Writing China: the Imaginary Body and Allegorical Wilderness 55
  • The Sublime and Gender 101
  • 4 - Desire and Pleasure in Revolutionary Cinema 123
  • 5 - The Sublime Subject of Practice 155
  • 6 - The Cultural Revolution: a Terrible Beauty is Born 194
  • Conclusion 263
  • Reference Matter 269
  • Notes 271
  • Character List 287
  • Bibliography 293
  • Index 305
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
Items saved in your active project from this book
  • Bookmarks
  • Highlights & Notes
  • Citations
/ 312

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Upgrade your membership to cite pages or passages in MLA 8, MLA 7, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Search by... Author
    Show... All Results Primary Sources Peer-reviewed

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.