Britain Can Take It: The British Cinema in the Second World War

By Anthony Aldgate; Jeffrey Richards | Go to book overview
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Britain Can Take It: The British Cinema in the Second World War
Table of contents

Table of contents

  • Title Page ii
  • Contents iv
  • Acknowledgements vi
  • Preface to the Paperback Edition vii
  • 1 - The British Cinema During the Second World War 1
  • Notes 17
  • 2 Why We Fight - 49th Parallel 21
  • Notes 41
  • The Englishman's Englishman - Pimpernel Smith 44
  • Notes 73
  • 4 - Raise a Laugh Let George Do It 76
  • Notes 93
  • 5 'Careless Talk Costs Lives' - The Next of Kin 96
  • Notes 113
  • 6 'If the Invader Comes' - Went the Day Well? 115
  • Notes 135
  • 7 Mobilizing the Past - The Young Mr Pitt 138
  • Notes 165
  • 8 Signs of the Times - Thunder Rock 168
  • Notes 184
  • 9 Naval Cavalcade - In Which We Serve 187
  • Notes 214
  • 10 - England, Their England Fires Were Started 218
  • Notes 243
  • 11 the War the Documentarists Won - Western Approaches 246
  • Notes 273
  • 12 Our American Cousins - The Way to the Stars 277
  • Notes 296
  • 13 'National Pride and Prejudices' - Tunisian Victory 299
  • Notes 318
  • 14 Class and Nation - Ships with Wings 326
  • Notes 344
  • Filmography 346
  • Index 354
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 362

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.