Composers of Today: A Comprehensive Biographical and Critical Guide to Modern Composers of All Nations

By David Ewen | Go to book overview
reflected in an eclecticism that is a fusion of various periods in the development of music. . . . The neglected archives of the old Greek modes have found in Pizzetti an indefatigable resurrector. Their presentation in modern habiliments and with the appropriate richness of feeling inherent in them eliminates any archaeological mustiness. . . . On the other hand, in his piano pieces, Pizzetti's style is sometimes frankly impressionistic. . . . Nevertheless, Pizzetti is by no means imitative. His eclectic spirit has completely assimilated, in a manner entirely personal, all the elements that he has incorporated in his music."In 1930, Ildebrando Pizzetti visited America as pianist and guest-conductor in performances of his major works.Principal works by Ildebrando Pizzetti:
OPERA: The Cid; Fedra; Debora e Jaéle; Fra Gherardo.
CHORAL: La Nave; La Rondine; Mass.
ORCHESTRA: Overture for Tragic Comedy; incidental music to La Pisanella; Poem for Violin and Orchestra; Rondo Veneziano; Concerto dell'Estate; Concerto for 'Cello and Orchestra.
CHAMBER MUSIC: Quartet in A; Second String Quartet; Sonata for Violin and Piano; Sonata for Violoncello and Piano; Trio.
Pieces for piano; songs, etc.

About Ildebrando Pizzetti:

Fondi Renato. Pizzetti.

Musical Quarterly 9:96 January 1923.

Important recordings of music by Ildebrando Pizzetti:

ITALIAN VICTOR: Excerpts from Pisanella; Three Songs.


Francis Poulenc 1899-

"It is evidently premature to pass definite judgment on an artist so young, and with so many years of creation before him, but one must consider the author of Biches, of Bestiaire, of the Trio, of the Gaillards songs and the Concerto as one of the most gifted and most interesting of the new French school."-- HENRI PRUNIÈRES

FRANCIS POULENC, of the "French-six," I was born in Paris on January 7, 1899. His parents planned a classical education for him in which music could play only a secondary role. Francis Poulenc, therefore, could devote only his spare hours to musical study, pursuing instruction in piano- playing under Ricardo Vifies and acquiring a rudimentary technical knowledge by reading books. Composition engaged his interests from the very first, and long before his classical education had ended he had produced a series of works in which his individual style was already markedly apparent.

His name swept across the musical sky of Paris like a comet when he was still a youth. At the age of eighteen, he suddenly found himself a sensation among music-lovers in Paris, his name inspiring comment, enthusiasm and controversy in all musical circles. It was in that year that a group of young French composers, under the inspiring guidance of Erik Satie, joined into a band known as the "French-six"; and it was Francis Poulenc first important work--Rapsodie Nègre--that launched the "French-six" upon its career at the Vieux Colombier.2 Rapsodie Nègre, for flute, clarinet, string-quartet, piano and voice, made an indelible impression because of the color and spice and vigor of Poulenc's style. "The undeniable musical temperament, the peculiar ingenuity and the frank and yet discreet picturesqueness revealed by this work did not fail to fascinate the novelty- seeking Parisians assembled there." "It is a work," continues H. E. Wortham, "showing two qualities which distinguish contemporary French music-- an interest in weaving together of strongly marked rhythms, and in the contrast of timbres or 'sonorities' of which Stravinsky is the acknowledged master."

In 1918, Poulenc was called to military service, interrupting a musical career begun with such flashing brilliance. But upon his release from military duties, he returned to his composing with greater zest and produced several works in which his technique was becoming more and more solid and his pungent style began to acquire greater sting. In 1919, came his collection of songs Cocardes, on poems by

____________________
Poulenc: po + o + ̅-lawN′
1

For an explanation of the origin, aims and dissolution of the "French-six" see sketch of Georges Auric.

2
See sketch of Georges Auric.

-196-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
Composers of Today: A Comprehensive Biographical and Critical Guide to Modern Composers of All Nations
Table of contents

Table of contents

  • Books of the Same Author ii
  • Title Page iii
  • Introduction vii
  • Key to Pronunciations xiv
  • Joseph Achron 1886- 1
  • George Antheil 1900- 3
  • Kurt Atterberg 1887- 4
  • Louis Aubert 1877- 6
  • Georges Auric 1899- 7
  • Granville Bantock 1868- 8
  • Béla Bartók 1881- 10
  • Arnold Bax 1883- 15
  • Robert Russell Bennett 1894- 16
  • Lord Berners 1883. 20
  • Julius Bittner 1874- 22
  • Arthur Bliss 1891- 23
  • Marc Blitzstein 1905- 24
  • Ernest Bloch 1880- 25
  • Rutland Boughton 1878- 26
  • Walter Braunfels 1882- 29
  • Frank Bridge 1879- 31
  • Alfred Bruneau 1857-1934 32
  • Charles Wakefield Cadman 1881- 35
  • Alfredo Casella 1883- 36
  • Mario Castelnuovo-Tedesco 1895- 38
  • Juan José Castro 1895- 40
  • Gustave Charpentier 1860. 41
  • Frederick Shepherd Converse 1871- 46
  • Henry Cowell 1897- 49
  • Sir Frederic H. Cowen 1852- 51
  • Sir Walford Davies 1869- 53
  • Claude Debussy 1862-1918 55
  • Frederick Delius 1863-1934 56
  • Ernst Von Dohnányi 1877. 60
  • Arcady Dubensky 1890- 62
  • Paul Dukas 1865- 64
  • Paul Dupin 1865- 67
  • Georges Enesco 1881- 68
  • Manuel De Falla .1876- 70
  • Gabriel Fauré 1845-1924 72
  • Henri Gagnebin 1886- 79
  • Philippe Gaubert 1879- 80
  • George Gershwin 1898- 80
  • Umberto Giordano 1867- 82
  • Alexander Glazunov 1865- 84
  • Reinhold Glière 1874- 86
  • Michael Gniessin 1883- 90
  • Paul Graener 1872- 91
  • Percy Grainger 1882- 93
  • Alexander Gretchaninoff 1864- 94
  • Louis Gruenberg 1883- 96
  • Alois Hába 1893- 98
  • Henry Hadley 1871- 99
  • Reynaldo Hahn 1874- 101
  • Howard Hanson 1896- 103
  • Sandor Harmati 1892- 104
  • Roy Harris 1898- 106
  • Edward Burlingame Hill 1872- 110
  • Paul Hindemith 1895- 112
  • Gustav Holst 1874-1934 115
  • Arthur Honegger 1892- 117
  • Herbert Howells 1892- 119
  • Jacques Ibert 1890- 120
  • Vincent D'Indy 1851-1931 122
  • Michael Ippolitov-Ivanov 1859- 123
  • John Ireland 1879- 125
  • Frederick Jacobi 1891- 128
  • Leoš Janáček 1854-1928 130
  • Werner Janssen 1900- 131
  • Joseph Jongen 1873. 133
  • Werner Josten 1888- 134
  • Paul Juon 1872- 135
  • Heinrich Kaminski 1886- 136
  • Wilhelm Kienzl 1857- 139
  • Lyof Knipper 1898- 140
  • Zoltan Kodály 1882- 141
  • Erich Wolfgang Korngold 1897- 142
  • A. Walter Kramer 1890- 147
  • Alexander Kreyn 1883- 148
  • Ladislas Lajtha 1892- 151
  • Constant Lambert 1905- 151
  • Charles Martin Loeffler 1861- 152
  • Nikolai Lopatnikoff 1903- 153
  • Igor Markevitch 1912- 157
  • Frank Martin 1890- 159
  • Bohuslav Martinu 1890- 161
  • Joseph Marx 1882- 162
  • Pietro Mascagni 1863- 164
  • Daniel Gregory Mason 1873- 165
  • Nikolai Medtner 1880- 167
  • Nikolai Miaskovsky 1881- 168
  • Georges Migot 1891- 170
  • Darius Milhaud 1892- 171
  • Italo Montemezzi 1875- 175
  • Harold Morris 1890- 176
  • Alexander Mossolov 1900- 177
  • Leo Ornstein 1895- 179
  • Ignace Jan Paderewski 1860- 181
  • Hans Pfitzner 1869- 185
  • Willem Pijper 1894- 189
  • Paul Pisk 1893- 191
  • Walter Piston 1894- 192
  • Ildebrando Pizzetti 1880- 193
  • Francis Poulenc 1899- 194
  • John Powell 1882- 196
  • Serge Prokofieff 1891- 198
  • Henri Rabaud 1873- 199
  • Serge Rachmaninoff 1873- 201
  • Maurice Ravel 1875- 205
  • Rhené-Baton 1879- 210
  • Wallingford Riegger 1885. 212
  • Vittorio Rieti 1898- 213
  • Roger-Ducasse 1875- 215
  • Dane Rudhyar 1895- 218
  • Carl Ruggles 1876- 220
  • Victor De Sabata 1892- 221
  • Lazare Saminsky 1882- 224
  • Ernest Schelling 1876- 226
  • Joseph Schillinger 1895- 228
  • Max Von Schillings 1868-1933 230
  • Florent Schmitt 1870. 232
  • Arnold Schönberg 1874- 234
  • Cyril Scott 1879- 238
  • Alexander Scriabin 1871-1915 240
  • Bernhard Sekles 1872- 242
  • Roger Sessions 1896- 245
  • Dmitri Shostakowitch 1906- 246
  • Christian Sinding 249
  • Leone Sinigaglia 1868- 252
  • David Stanley Smith 1877­ 253
  • Leo Sowerby 1895- 255
  • William Grant Still 1895- 256
  • Albert Stoessel 1894- 258
  • Richard Strauss 1864- 259
  • Igor Stravinsky 1882- 260
  • Edwin J. Stringham 1890- 268
  • Alexander Tansman 1897- 270
  • Deems Taylor 1885- 271
  • Alexander Tcherepnine 1899- 273
  • Nikolai Tcherepnine 1873- 275
  • Virgil Thomson 1896- 276
  • Ernest Toch 1887- 278
  • Vincenzo Tommasini 1880- 279
  • Joaquin Turina 1882. 281
  • Edgar Varèse 1885- 283
  • Ralph Vaughan-Williams 1872- 284
  • Hector Villa-Lobos 1886- 286
  • H. Waldo-Warner 1874- 288
  • William Walton 1902- 290
  • Anton Webern 1883- 291
  • Kurt Weill 1900- 292
  • Jaromir Weinberger 1896- 295
  • Leo Weiner 1885- 296
  • Adolph Weiss 1891- 298
  • Egon Wellesz 1885- 300
  • Alexander Weprik .1899- 301
  • Riccardo Zandonai 1883- 305
  • Bibliography of Modern Music 309
  • Index 313
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 316

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.