CHAPTER SEVEN
Crashing the Party
1881-83

To outward appearances, Roosevelt was the soul of respectability during his first year after college. Devoted husband, sober student of the law, serious scholar, patriotic writer--he was all of these, and a fully vested member of the New York gentry to boot. He might dress rough while hunting on the prairies, but in his native habitat of midtown Manhattan or on the grand tour of Europe he was unmistakably of the finest stratum of the upper crust.

Yet this dignified exterior concealed a dark secret. By day and most evenings he adhered to the rules and expectations of his class, but one night a month, later more frequently, he consorted with characters of dubious morals and indubitably shady reputations. He led a double life; in short, he entered politics.

The portal to this nether realm was Morton Hall, a grimy, smelly clubhouse above a saloon on Fifty-ninth Street. The hall was a short walk from his home, but it might just as well have been a world away. The men--women weren't welcome and didn't come--who crowded into Morton Hall, filling its air with cigar smoke, its floor with ashes, and its spittoons (alternatively, the floor) with tobacco juice, were of a kind Roosevelt hadn't consorted with to date. They were professionals and businessmen, but of a distinctive caste. Their profession was people and their business was winning public office. Their work was keenly competitive: Those with the gift succeeded and prospered; those without fell by the side.

Joseph Murray had the gift. Irish by birth, Murray had fled his hun-

-123-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
T.R.: The Last Romantic
Table of contents

Table of contents

Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 900

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.