Staging Difference: Cultural Pluralism in American Theatre and Drama

By Marc Maufort | Go to book overview

Acknowledgments

Publication of this volume of essays was made possible through a generous grant from the "Service de la Recherche Scientifique; Ministère de l'Education-Communauté Francaise" ( Belgium).

I wish to acknowledge permissions to reprint the following copyrighted material: excerpts from Jorge Huerta Chicano Theater, Themes and Forms ( Arizona State University, tempe, AZ: Bilingual Press/Editorial Bilingüe, 1982) are reprinted by permission of the publisher. All rights reserved; excerpts from David Henry Hwang FOB and Other Plays, copyright © 1990 by David Henry Hwang, Introduction and Foreword by Maxine Hong Kingston, are used by permission of Dutton Signet, a division of Penguin Books USA, Inc., and of Writers and Artists Agency. All rights reserved; Bruce McConachie article "The 'Oriental' Musicals of Rodgers and Hammerstein and the U.S. War in Southeast Asia," which originally appeared in Theatre Journal (vol. 46, no. 3, October 1994, 385-398) has been reprinted here with the kind permission of The Johns Hopkins University Press. All rights reserved; excerpts from David Mamet Oleanna, copyright © 1992 by David Mamet, are reprinted with the kind permission of Methuen ( London) and Vintage Books, a division of Random House Inc ( New York). Caution: this play is protected in whole, in part or in any form, under the Copyright Laws of the United States of America, the British Empire, including the Dominion of Canada, and all other countries of the Copyright Union, and is subject to royalty. All rights, including professional, amateur, motion picture, recitation, radio, television, and public readings are strictly reserved; excerpts from The Price in Arthur Miller Collected Plays, copyright © 1957, 1968 and 1969 by Arthur Miller and Ingeborg M. Miller, Trustee, are used by permission of Viking Penguin, a division of Penguin Books USA, Inc. and International Creative Management, Inc. All rights reserved; excerpts from Wendy Wasserstein "The Heidi Chronicles" in The Heidi Chronicles and Other Plays, copyright © 1990 by Wendy Wasserstein, are reprinted by permission of Harcourt Brace & Company and International Creative Management, Inc. (Caution: all inquiries concerning performance rights for "The Heidi Chronicles" should be addressed to Arlene Donovan, International Creative Management Inc., 40 West 57th Street, New York, NY 10019). All rights reserved; excerpts from Tennessee Williams typescript for Cat on a Hot Tin Roof ( I, 34), copyright © 1955 by Tennessee Williams, are reprinted by permission of the Harry Ransom Humanities Research Center, The University of Texas at Austin and of John L. Eastman, Trustee Under the Will of Tennessee Williams. All rights reserved.

-v-

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