American Art of Our Century

By Lloyd Goodrich; John I. H. Baur | Go to book overview

catalogue of the collection

Paintings, sculpture, watercolors, and drawings acquired by the Museum from its founding through December 31, 1960, are listed below. Dimensions of paintings are in inches, height preceding width. The dimensions of watercolors and drawings are sight (measured within the frame or mat opening), unless otherwise noted.

The largest dimension of sculpture is given, in inches. For reliefs, height and width are given, in that order.

Unless otherwise stated, the support for watercolors and drawings is paper.

The term composition board is used for fabricated boards, such as Presdwood, Masonite, etc., and cardboard for light paper boards, such as academy board.

Dates following titles are inscribed on the works themselves unless enclosed in parentheses. A dash between two dates ( 1927-30) indicates that the work was executed during these years; a diagonal line ( 1927/30) that it was worked on again in the latter year.

The figures preceding the decimal point in accession numbers indicate the year of acquisition. For example, 54.17 means that the work was acquired in 1954. All works accessioned in 1931, not identified as purchases, were part of the private collection of Gertrude V. Whitney, which she gave to the Museum on its foundation.

Page references are to illustrations.

In memory of Juliana Force, the Museum acquires each year at least one work by an artist under thirty, designated as a Juliana Force Purchase.

-267-

Notes for this page

Add a new note
If you are trying to select text to create highlights or citations, remember that you must now click or tap on the first word, and then click or tap on the last word.
One moment ...
Default project is now your active project.
Project items

Items saved from this book

This book has been saved
Highlights (0)
Some of your highlights are legacy items.

Highlights saved before July 30, 2012 will not be displayed on their respective source pages.

You can easily re-create the highlights by opening the book page or article, selecting the text, and clicking “Highlight.”

Citations (0)
Some of your citations are legacy items.

Any citation created before July 30, 2012 will labeled as a “Cited page.” New citations will be saved as cited passages, pages or articles.

We also added the ability to view new citations from your projects or the book or article where you created them.

Notes (0)
Bookmarks (0)

You have no saved items from this book

Project items include:
  • Saved book/article
  • Highlights
  • Quotes/citations
  • Notes
  • Bookmarks
Notes
Cite this page

Cited page

Style
Citations are available only to our active members.
Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

(Einhorn, 1992, p. 25)

(Einhorn 25)

1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

Cited page

Bookmark this page
American Art of Our Century
Table of contents

Table of contents

  • Title Page 3
  • Contents 5
  • Part One - 1900-1939 7
  • 1 - American Art in 1900 9
  • 2 - The Whitney Museum of American Art 12
  • 3 - The Eight and Other City Realists 20
  • 4 - Primitives 29
  • 5 - Pioneers of Modernism: Post-Impressionism and Expressionism 32
  • 6 - Pioneers of Modernism: Abstraction 42
  • 7 - Precisionists 50
  • 8 - Sculpture, 1910-1939 58
  • 9 - Representational Painting 67
  • 10 - The American Scene 84
  • 11 - The Social School 98
  • 12 - Fantasy 104
  • 13 - The Trend toward Abstraction 109
  • Part Two - 1940-1960 119
  • 14 - Romantic Realism 121
  • 15 - Traditional Sculpture 133
  • 16 - Precise Realism 138
  • 17 - Fantasy and Surrealism 148
  • 18 - Social Comment 157
  • 19 - Expressionism: Painting 169
  • 20 - Expressionism: Sculpture 190
  • 21 - Semi-Abstraction 197
  • 22 - Free-Form Abstraction: Painting 208
  • 23 - Free-Form Abstraction: Sculpture 230
  • 24 - Formal Abstraction: Painting 239
  • 25 - Formal Abstraction: Sculpture 252
  • Whitney Museum of American Art 265
  • Whitney Museum of American Art 266
  • Catalogue of the Collection 267
  • Index by Mediums 298
  • Exhibitions, 1914-1960 301
  • Books Published by the Whitney Museum of American Art 306
  • Friends of the Whitney Museum of American Art, 1956-1960 307
Settings

Settings

Typeface
Text size Smaller Larger Reset View mode
Search within

Search within this book

Look up

Look up a word

  • Dictionary
  • Thesaurus
Please submit a word or phrase above.
Print this page

Print this page

Why can't I print more than one page at a time?

Help
Full screen
/ 314

matching results for page

    Questia reader help

    How to highlight and cite specific passages

    1. Click or tap the first word you want to select.
    2. Click or tap the last word you want to select, and you’ll see everything in between get selected.
    3. You’ll then get a menu of options like creating a highlight or a citation from that passage of text.

    OK, got it!

    Cited passage

    Style
    Citations are available only to our active members.
    Buy instant access to cite pages or passages in MLA, APA and Chicago citation styles.

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn, 1992, p. 25).

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences." (Einhorn 25)

    "Portraying himself as an honest, ordinary person helped Lincoln identify with his audiences."1

    1. Lois J. Einhorn, Abraham Lincoln, the Orator: Penetrating the Lincoln Legend (Westport, CT: Greenwood Press, 1992), 25, http://www.questia.com/read/27419298.

    Cited passage

    Thanks for trying Questia!

    Please continue trying out our research tools, but please note, full functionality is available only to our active members.

    Your work will be lost once you leave this Web page.

    Buy instant access to save your work.

    Already a member? Log in now.

    Author Advanced search

    Oops!

    An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.