We Never Were What we Used To Be
Black Youth, Pop Culture, and the Politics of Nostalgia
Our present obsession with the past has the double advantage of making new work seem raw and rough compared to the cosy patina of tradition, whilst refusing tradition its vital connection to what is happening now. By making islands of separation out of the unbreakable chain of human creativity, we are able to set up false comparisons, false expectations, all the while lamenting that the music, poetry, painting, prose, performance art of Now, fails to live up to the art of Then, which is why, we say, it does not affect us. In fact, we are no more moved by a past we are busy inventing, than by a present we are busy denying.
Jeanette Winterson "Art Objects," 1995